Transworld Halloween Haunt and Escape Tradeshow is finally happening after more than a year of waiting.  Due to Covid the 2020 annual tradeshow was canceled which sent an entire industry into a spiral.  Many haunted houses and escape rooms closed their doors forever, while most powered thru and are ready for the annual tradeshow to return.  The tradeshow was originally scheduled for early March 2021 but due to ongoing covid restrictions it was pushed back until May 6-9, 2021 in St Louis Missouri.   You can get more details at www.HAASHOW.com 



So what should you expect at the 2021 tradeshow?  Most vendors will still exhibit because their 2020 money was rolled over to 2021.  Some vendors however will not exhibit despite losing deposits like Unit 70.  Some vendors are choosing not to exhibit because they're already totally sold out and can't take anymore orders for 2021. A tradeshow for the haunted house industry in May is basically only worth about 25% of its original value.  About 25% of all vendors orders come between November and January  taking advantage or winter sales.  Another 50% of orders are placed right around the Transworld show and the balance about 25% are placed through out the summer months.  Once Transworld announced the show was moving to May buyers started placing orders and now most vendors are nearly sold out.  Our guess is most vendors have about 25% or less capacity for new orders!  Our advice DO NOT wait until the Transworld Show call your favorite vendors and BUY NOW otherwise you may not get the opportunity to order. 

We also do NOT expect you can buy as many products off the show floor as vendors are bringing products already sold and using Transworld for pick up!  AGAIN ORDER NOW!   Most vendors we've spoken to have stated  they're already SOLD OUT for 2021 or taking orders for late Summer early September.  If you wait for Transworld show which is another full month away you might be disappointed.  

A tradeshow in May doesn't work for the haunted house industry but Transworld had no choice it was May or nothing.  The haunted house industry wants to get together, and try to get back on a path of normalcy.  Vendors need the bulk of orders to be placed long before May and haunt owners know better than to wait until May.  Even though many vendors will have limited capacity to take orders at this years show, there is still plenty of reasons to attend.  All the seminars and educations opportunities are still available with very few changes from what you signed up for in 2020.  The communication with other haunters is invaluable, and honestly walking the tradeshow gives you creative energy to take back to your business.  Transworld should be back on track in 2022 with dates in early March and hopefully by this Halloween season there are no more covid related issues.  We do however want to stress that many vendors if not most will still have some product on the show floor to sell, or ability to take some orders but do NOT take that chance... ORDER NOW.   



Escape rooms have been drastically impacted by covid, losing corporate parties, single bookings into unsold games, and having to close for a period.  Many haunted houses made the early call NOT to open for 2020 Halloween fearing a lack of interest, which turned out to be the exact opposite.  Haunted Houses that opened got overwhelming demand for customers.  No word yet if all the Christmas vendors will return because no tradeshow floor map has been updated to Transworld website.  With that being said the Christmas industry had a RECORD YEAR... keep in mind people were looking for something to do and most Christmas shows are drive thru! 

Overall i believe the show despite every curve ball thrown in its direction,will be overwhelming successfull. You should attend the show and absorb some of that creative energy, talk to vendors, place some orders, take in some education and feel great about the future!  Owning and operating Christmas, Escape or haunted house attractions is a passion based industry and the passion is there to be together surrounded by what makes them motivated to get back to work.  Even though I'm strongly advicing you to PLACE ORDERS NOW, the show floor will be FLUSH with products to see, touch and experience.  This coming Transworld show is for the now and the future of getting all these industries back on track!  Support Transworld and support the vendors! 

Despite all the hurdles the show will be a success just because it happened.  Have fun and have a great time. 

We will not be doing behind the scenes tours of our escape rooms in 2021 however they're open for bookings at  www.StLouisEscape.com 

A word of warning if you don't book NOW, our escape rooms are basically sold out just from local business every single weekend.  Since last Transworld St Louis Escape has added Frankenstein Escape, Dracula Escape, and Wonderful Wizard of Oz plus a blacklight mini golf and arcade.  Book today! 



As for haunted house tours, we initially thought about opening Creepyworld and started overhauling it the minute we closed for the 2020 Halloween season.  We have already spent tens of thousands of dollars trying to get Creepyworld ready for Transworld but over the winter temp dropped below zero and stopped us cold.  We continue to work on Creepyworld building a new pumpkin barn, funeral home haunted house, and a video mapping attraction.  Its not likely that we could get Creepyworld done in time for Transworld,  even though we're currently working on it everyday.  As we speak we have 4 to 6 people working on Creepyworld every single day.  If something changes we'll let you know.  We decided not to attempt opening Lemp because we didn't even open Lemp for the Halloween season.  Lemp is located inside a cave and needs a lot of cleaning and repair we just didn't have time.  As for The Darkness we renovated the Darkness as if we would open for Transworld and just completed the total 2021 renovation in time for a local special event called Scream Break.  We added several new scenes including a haunted conservatory, haunted pumpkin barn, new gift store, thousands dollars in upgrades, this on top of overthink we did leading up to 2020 Transworld. 

The Darkness can open however we have yet to decide if we want to attempt opening for Transworld 2021.  If something changes it would be very last minute.  If any tour is added it will be a behind the scenes tour only.  

Again have a great time at Transworld 2021! 

PS:  If you see Rich and Jen walking around the Tradeshow floor give them a HUGE THANK YOU!  Trying to get this show back on track has been an overwhelming acheivement.  Thank you Jen and Rich from Hauntworld! 


 

  Secrets Revealed:  The House of Torment Control Room
By Jon Love and Daniel McCullough from House of Torment 
                                                                                                               
 
Back end procedures tend to vary from haunt to haunt depending on size, location, and attraction type.  Operations for a 10,000 person/year single attraction haunt differ than that of a 70,000 person/year multi attraction scare park.  Despite the differences between events one thing is universally certain:  smooth behind the scenes operations are a critical part of any successful haunted attraction.  For our business, the House of Torment in Austin Texas (a two attraction haunted house serving 40,000 + patrons/year) we created a centralized command center that is the beating operational heart of our event.  From it we activate all of our props, visually monitor and record every room in our haunted house via infrared cameras, control sound levels, operate lighting and fog controllers, maintain air supply, and coordinate communication with our entire 100+ person/night staff.  We call it the “Control Room” and we are going take you through our theory behind its use and the benefits it has brought our business.
 
The Idea Behind it all
 
From the start we wanted to have the best timing possible with our props.  We wanted customers, even if they spotted a prop, to be stunned when it activated when they least expected it.  Year one we researched other haunts, builders, and electronics manufacturers and discovered that by combining the use of infrared video security technology, custom switch boards, and some minor wiring techniques we could run prop triggers and video feeds to a central station with monitors and activators.  We could then sit back, watch the show, and at the perfect time flip a switch giving customers a scare they’d remember. 
 
Early on after building out our first camera station and prop trigger board we decided to run our audio controllers back to the same area to keep them out of the fog filled haunted house. The room we were using was also somewhat removed from the attraction so it ended up being a good place to store our compressors as well.  That first year our control room was equipped with a 4 camera monitor unit with VCR, a small compressor (compared to the ones we have now), a few CD players and a handful of radios.  It was a modest version of our present command center that has since been through tens of thousands of dollars of upgrades, expansions, and improvements.  We now use digital video recorders, dozens of commercial grade night vision cameras, MP3 players, DMX lighting and DMX fog controllers, better communication units, and much larger compressors. 


 
What was supposed to be a timing technique quickly turned into operational gold for us becoming a core element of our business and over the years the control room has in a way become our brainchild.  Finding ways to broaden its capability and increase its function have become staple parts of our off season as each year we continue to face growing demand, and improving haunt technologies.  So far, we have identified 4 major categories of benefits the control room provides our business (they are list below in no particular order).  In the future however there will undoubtedly be more, but for now these are the main reasons we use a control room to operate our haunt.
 
 
Benefits
 
 
Safety, Liability, & Security
 
One of the main features of our control room, the camera system, allows us to have eyes and ears everywhere in the haunted house which increases haunt safety and security while reducing liability.
 
During the course of a season inevitably some incidents will occur as people walk through or work in our attraction.  It’s a dark, loud, chaotic environment and while we take every safety precaution known to man to ensure our customer’s and actor’s safety sometimes things happen.  Clothing may get torn, personal items may get lost, sets may get trashed, or even worse, every haunted house owner’s nightmare, someone may get hurt. 


 
Our camera system not only allows us to monitor activity inside the haunted house in real time, it records the footage on to hard drives.  Whenever we have an incident we never end up in a “he said she said” situation.  We simply pull the footage from the drives and watch to determine what really happened, and where the fault, if any, lies.  To no surprise we have found that over 99% of incidents occur when people, whether it’s a customer or an actor, don’t follow the rules and guidelines of the haunted house. 
 
In addition, because we can see everything in real time, we are able to track potential “problem” customers we think may be aggressive towards our actors or sets.  They may have had a bit too much to drink or they may seem a little too hostile or afraid.  Whatever the case may be when we identify a potential “problem” customer we have a security officer monitor their trip through the haunted house in our control room and at the first sign of trouble, escort them out.       

  
 
Timing & Prop Activation
 
Because we can see everything in our haunt during operation we don’t time our props, rather we time our customers.  Our control room operators are experts at timing groups and using a group’s personality to understand what will be the best time and way to activate props and effects.  Sometimes that means blasting a group twice with an air shot, or waiting until the big guy in the front has passed the Skele-rector, or even letting some one think “It’s not going to move,” and then surprising them out of their shirt (it has happened).  Each group acts its own unique way and monitoring them on camera lets us learn something about them and then tailor their experience accordingly.  Our props are essentially extensions of our control room operators and whether the effect is the misdirection for the actor or the actor is the misdirection for the effect, having props manually timed and activated adds another layer of depth to our event.
 
It is also beneficial to manually activate props from our control room so there are never step pads or sensors for customers to find.  Sometimes with “in haunt” triggers customers will stand in one place and continually activate an animation over and over again killing throughput, bogging down operation, and draining air supply.  Customers may also get too close or end up somewhere they shouldn’t be making a prop activation potentially hazardous.  Putting the power of activation in the hands of a trained professional prevents those problems from arising keeping the show safe and moving along.      

  
 
Centralization of Systems
 
Our control room is much more than a camera and prop activation station.  While visually monitoring our event and manually activating our props provides a plethora of advantages, having all of our core functions in one place is key.  We monitor and control lighting, fog, communication, audio, and air supply all from one location.  Coupled with our camera system we are able to instantly adjust almost any element of the attraction with the press of a few buttons.  We are able to know what systems are up, at what intervals they are running, at what levels they are operating, and what if any need adjusting.  We always have a good idea if our customers are getting the experience they paid for because we can simultaneously monitor all the critical functions of our attraction.  In the event something needs tweaking it is very simple to diagnose what is going on when everything is right in front of you, coordinate with the appropriate staff member, and address the issue.  We also store our tools alongside a variety of spare parts in our control room to have quick access to anything we may need in an emergency maintenance situation.  Overall, centralizing the control of our haunted house is the fundamental theory we have used to develop and run our back end operation.  It’s the basis on which the control room is built.     


 
Refinement & Training
 
One of the biggest benefits the control room has offered us, the ability to see what works and what doesn’t, has made for some of our most exciting and humbling experiences.  Because we are able to constantly watch our props, effects, actors, and customers we can see when our ideas work better than we ever expected and when they fail to even be noticed.  What ever the case may be the control room has enabled us to continually refine our event.  We watch to see if scares provide the impact we want, to pin point areas that create flow problems, and to monitor our actors to make sure they are doing a good job.  When something doesn’t work we change it until we get it right and in doing so grasp a better understanding of what will invoke the best reactions out of our customers.    
 
In addition, similar to the way football teams that watch film of competitors to understand what they’ll be facing in an upcoming game, we show our actors videos of customers.  We show them what works, what doesn’t, analyze customer types and study the footage together with our team. It’s great to be able to show our staff how making slight changes can create huge differences or how something on one side of the haunt affects something on the other side of the haunt.  Overall, monitoring and recording haunt footage night after night has made a huge impact on the quality of the event we produce.      
 
 
In conclusion our theory of having a centralized area to control the critical systems of our haunt has worked out to our advantage and fit our model well.  It has helped us produce a product that we haven’t seen replicated in our market.  It has given our business significant advantages and provided us with an operational infrastructure allowing us to smoothly sustain exponential growth while forever bettering ourselves and our attraction.  It has provided us with a priceless wealth of knowledge about our customers and how to be really good at what we do.  We understand the control room won’t fit everyone’s model and recognize that each event has its own way of running back end operations.  No way is right, no way is wrong.  Our way works for us and we hope that you may be able to take something from that.  Thanks for reading and good luck this season!  For more information about the House of Torment please visit www.houseoftorment.com